7th DEADLY SIN

LineUp
Francesco Colapietro - Vocals/Guitar
Federico Bini - Vocals
Alessio Marrucelli - Guitar
Emanuele Sorbetti - Bass
Valeri Tchepelev - Drums


Website

www.myspace.com/7thdeadlysin

24/7 DEADLINE
24/7 DEADLINE

3RD ROOM
3RD ROOM

7th DEADLY SIN
7th DEADLY SIN

A CRIME CALLED...
A CRIME CALLED...

AARON'S AGONY
AARON'S AGONY

ABLETOBE
ABLETOBE

ABYSS OF PAIN
ABYSS OF PAIN

ACRYLATE
ACRYLATE

ALMASFERA
ALMASFERA

AMANTYDE
AMANTYDE

AMITYS
AMITYS

AMNESIA
AMNESIA

AN HANDFUL OF DUST
AN HANDFUL OF DUST

ANIMAL FARM PROJECT
ANIMAL FARM PROJECT

ARTIFICIAL WISH
ARTIFICIAL WISH

ASHCORN
ASHCORN

ASTARTE SYRIACA
ASTARTE SYRIACA

AT THE SOUNDAWN
AT THE SOUNDAWN

ATHENA
ATHENA

ATHWART
ATHWART

ATLETICO TZUNAMI
ATLETICO TZUNAMI

BACKJUMPER
BACKJUMPER

BAD BLOOD
BAD BLOOD

BAD STUFF
BAD STUFF

BLEAST
BLEAST

BROKEN MELODY
BROKEN MELODY

CADAVER MUTILATOR
CADAVER MUTILATOR

CHAOS CORE
CHAOS CORE

CHARLOTTE'S SHADOW
CHARLOTTE'S SHADOW

CHOUKRA
CHOUKRA

CHRISTIAN DEATH
CHRISTIAN DEATH

CIEMENTIFICIO
CIEMENTIFICIO

CINDERELLA'S REVENGE
CINDERELLA'S REVENGE

CRIMES
CRIMES

CRUEL CRIMINAL
CRUEL CRIMINAL

DAWN
DAWN

DELIRIA
DELIRIA

DEPORTIVO LA BONISSIMA
DEPORTIVO LA BONISSIMA

DEVIAZIONE
DEVIAZIONE

DHUNE
DHUNE

DILAEMMA
DILAEMMA

DISCLOSE
DISCLOSE

DOMINA NOCTIS
DOMINA NOCTIS

DYVE
DYVE

EAT ME CLOWN
EAT ME CLOWN

ECLIPSE
ECLIPSE

ELEVENYEARS
ELEVENYEARS

EN DECLIN
EN DECLIN

ENEMA
ENEMA

EPHEMERIS
EPHEMERIS

EPIC MONDAY
EPIC MONDAY

ERICH ZANN
ERICH ZANN

ETHEREAL BLUE
ETHEREAL BLUE

EVERGLADE
EVERGLADE

EXUMED
EXUMED

FIRESTORM
FIRESTORM

FORCED VIEW
FORCED VIEW

FUDOSATELLITE
FUDOSATELLITE

FUN NEVER ENDS
FUN NEVER ENDS

GAMME OVER
GAMME OVER

GRIMNESS 69
GRIMNESS 69

HEMOGLOBINA
HEMOGLOBINA

HESITANT BALLAD
HESITANT BALLAD

HIJACKERS ON THE HIP
HIJACKERS ON THE HIP

HOLYLAND
HOLYLAND

HOPE LEAVES
HOPE LEAVES

HYBRIDA
HYBRIDA

ILID
ILID

IN-SIGHT
IN-SIGHT

INCOMING-CEREBRAL-OVERDRIVE
INCOMING-CEREBRAL-OVERDRIVE

INCURSION
INCURSION

INSANITY ARISE
INSANITY ARISE

INSEEDIA
INSEEDIA

INVAIN
INVAIN

INVERSION
INVERSION

JANARA
JANARA

JUDA
JUDA

JUST ANOTHER ILLUSION
JUST ANOTHER ILLUSION

KALEVALA
KALEVALA

KARDIA
KARDIA

KNIFE
KNIFE

KOMATOURA
KOMATOURA

KRYPTON
KRYPTON

Kuroi
Kuroi

KUTFACES
KUTFACES

LAMIA
LAMIA

LEFT BEHIND
LEFT BEHIND

LEGLESS
LEGLESS

LENA'S BAEDREAM
LENA'S BAEDREAM

LIFEND
LIFEND

LILY ROAD
LILY ROAD

LITTLE PAPERS
LITTLE PAPERS

LOOSLIVING
LOOSLIVING

LUMINAL
LUMINAL

MARPLOTS
MARPLOTS

MCPROB
MCPROB

MIDNIGHTSTORM
MIDNIGHTSTORM

MILES AWAY (from you)
MILES AWAY (from you)

MINKUS
MINKUS

MITHRA
MITHRA

MONDAYISH
MONDAYISH

MOTORCYCLEIRENE
MOTORCYCLEIRENE

MUSTYWIG
MUSTYWIG

MY SAD MELODY
MY SAD MELODY

NAMELESS
NAMELESS

NAMELESS CRIME
NAMELESS CRIME

NEFESH
NEFESH

NEON SYNTHESIS
NEON SYNTHESIS

NEVER2LATE
NEVER2LATE

NICTA
NICTA

NINIVE
NINIVE

NO MORE FEAR
NO MORE FEAR

NORMAVANA
NORMAVANA

NOSER
NOSER

NOVEL OF SIN
NOVEL OF SIN

OCTOPUS COCKTAIL
OCTOPUS COCKTAIL

ODIO SU TELA
ODIO SU TELA

OMEGA LITHIUM
OMEGA LITHIUM

OPEN FIRE
OPEN FIRE

OPHIURA
OPHIURA

OPPOSITE SELF
OPPOSITE SELF

OUT OF SPITE
OUT OF SPITE

OVERBLOOD
OVERBLOOD

OVERUNIT MACHINE
OVERUNIT MACHINE

PAINSTORM
PAINSTORM

PALKOSCENIKO AL NEON
PALKOSCENIKO AL NEON

PART OF ME
PART OF ME

PERRO MALO
PERRO MALO

PNX-MODE
PNX-MODE

PRIMALINEA
PRIMALINEA

RAISING COMPROMISE
RAISING COMPROMISE

RANDOM
RANDOM

RATHER UNWISE
RATHER UNWISE

RED PILL
RED PILL

REDRUM
REDRUM

REFLECTIONS
REFLECTIONS

REPSEL
REPSEL

RESANDO
RESANDO

REST
REST

REVOLUTION OF DARKNESS
REVOLUTION OF DARKNESS

ROLLERCOASTER
ROLLERCOASTER

RUMORS OF GEHENNA
RUMORS OF GEHENNA

SAID
SAID

SCHIZOPHONIC
SCHIZOPHONIC

SHAMAT
SHAMAT

SHENIGHT
SHENIGHT

SILENT VOID
SILENT VOID

SISTHEMA
SISTHEMA

SOTHIS
SOTHIS

SOUND STORM
SOUND STORM

SOUNDCHECK
SOUNDCHECK

STONED MACHINE
STONED MACHINE

STORM OF DAMNATION
STORM OF DAMNATION

SUNSET
SUNSET

SWEET VENDETTA
SWEET VENDETTA

TERMINAL SICK
TERMINAL SICK

TERZO LIVELLO
TERZO LIVELLO

THE BLACKLIES
THE BLACKLIES

THE CONFLITTO
THE CONFLITTO

THE LOTUS
THE LOTUS

THE MAIN ATTRACTION
THE MAIN ATTRACTION

THE SUN OF WEAKNESS
THE SUN OF WEAKNESS

THE VINTAGE
THE VINTAGE

THIRD EYE
THIRD EYE

THOUSAND ONE CORE
THOUSAND ONE CORE

THUNDER NEVER STRIKES
THUNDER NEVER STRIKES

TIME
TIME

TINKER BELL
TINKER BELL

TO A SKYLARK
TO A SKYLARK

TRON
TRON

TSUNAMI
TSUNAMI

U TURN
U TURN

UMA
UMA

VALIUM
VALIUM

WALLCRUSH
WALLCRUSH

WORST EVIL
WORST EVIL

ZDREUS
ZDREUS

ZEROIN
ZEROIN

ZEROVOLUME
ZEROVOLUME

Behind every melody, there’s a scream. Behind every angel there’s a cry. Being monodimensional was a possibility that 7th Deadly Sin never took into account.
Not even when in November 2003 Peter (voice/guitar) Siuba (guitar) and Manu (bass) bound by a passion for a certain kind of music mostly unknown to all the people they knew, began to play in the basements of their houses trying to merge new metal and punk inspiration.
Those were the years when the “screaming” technique in Italy was beginning to grow in popularity thanks to mainstream scene bands such as Linkin’ Park, Lost Prophets, Deftones and others: the whole band grew up listening to that kind of “new noise” and also thanks to the arrival of Fred-I.-Scream (voice/scream) who claims Chino Moreno as his own inspiration.
The band began serious rehearsing when Puz (drums) a childhood friend who already had is own project running, abandoned that very project to firmly follow and define 7th Deadly Sin rhythm section.
The band finds its stable roster in January- Febraury 2004 and begins writing the first songs trying to combine memorable hooks with fierce aggressions, mostly in the lyrics where the screaming and singing blend was truly unusual for the Italian scene of the period.
In the first four months together (March-June 2004) the band completes their first 5 songs, and those songs are ready to be played live: although the audience isn’t ready for the kind of sound brought out by this five piece, the first performances set the tone to the restless and crazy acting on stage, a trademark of their future shows.
With the end of the summer a new writing process begins (September 2004-March 2005) and sees the birth of 4 new songs pushing the boundary to a emo-core sound, but still with a new metal vein, proving an extreme and fascinating growth by the five. In fact the participation to live shows and contest in Tuscany in Summer 2005 demonstrate the raising of the bar in the affinity of the band members and a new found personality: this time whether the critics may be doubtful, the audience will always show their interest in this band.
In September 2005 the turning point of  7th Deadly Sin sound is complete, reaching the screamo/metalcore attitude: the band writes “Hiding Behind Your Fake Image” and “The Angel Staring At The Bloodbath”, and records these songs in 2006; those two represent the most complex and refined songs that the band was capable of writing at the time.
At the end of 2006 Puz leaves the band. They immediately start casting new drummers.
The band is actually rehearsing, ready to surprise the audience with new, fresh, multidimensional sound purposes.
Behind every melody, there’s a scream. Behind every angel there’s a cry.